教育论文Ａ　Ｇｏｔｈｉｃ　Ｓｔｕｄｙ　ｏｆ　Ｅｍｉｌｙ　Ｂｒｏｎｔｅ’ｓ　“Ｗｕｔｈｅｒｉｎｇ　Ｈｅｉｇｈｔｓ” .doc

“” “”是小柯论文网通过网络搜集，并由本站工作人员整理后发布的，“”是篇质量较高的学术论文，供本站访问者学习和学术交流参考之用，不可用于其他商业目的，“”的论文版权归原作者所有，因网络整理，有些文章作者不详，敬请谅解，如需转摘，请注明出处小柯论文网，如果此论文无法满足您的论文要求，您可以申请本站帮您代写论文，以下是正文。 Emily Bronte is one of the most famous female English writers. Her novelWuthering Heights successfully creates a fantastic love story. Besides the passion-love of Catherine and Heathcliff in this novel, the themes of revenge, plot and contending for the fight of inheritance, the destructive pursuit of revenge by Heathcliff, the ghost of Catherine while Mr. Lockwoods staying at Wuthering Heights and Heathcliffs opening Catherines coffin, etc. Wuthering Heights undeniably contains Gothic elements though it is not merely a Gothic novel.Definition of Gothic novelThe Gothic novel, or in an alternative term, Gothic Romance, is a type of prose fiction which was inaugurated by Horace Walpoles The Castle of Otranto: A Gothic Story (1764) and flourished through the early nineteenth century. Some writers followed Walpoles example by setting their stories in the medieval period; others set them in a Catholic country, especially Italy or Spain. The locale was often a gloomy castle furnished with dungeons, subterranean passages, and sliding panels; the typical story focused on the suffering imposed on an innocent heroine by a cruel and lustful villain, and made bountiful use of ghosts, mysterious disappearances, and other sensational and supernatural occurrences. The principle aim of such novels was to evoke chilling terror by exploiting mystery and a variety of horrors. Many of them are now read mainly as period pieces, but the best opened up to fiction the realm of the irrational and of the preserve impulses and nightmarish terrors that lie beneath the orderly surface of the civilized mind. The term “Gothic” has also been extended to a type of fiction which lacks the exotic setting of the earlier romances, but develops a brooding atmosphere of gloom and terror, represents events that are uncanny or macabre or melodramatically violent, and often deals with aberrant psychological states. (Abrams 111).Description of environment and surroundingsEmily Bronte adopts Gothic method to describe Wuthering Heights and its surroundings at the very beginning. “The narrow windows are deeply set in the wall, and the corners defended with large jutting stones.” (Bronte 2) Also, Wuthering Heights is built alongside the moors; its station is exposed in stormy weather. Through the narration of Mr. Lockwood, winds whip across the barren fields and make the growth of the trees impossible; the estate receives its name because of how bad weather attacks the house and its surroundings though it is strong to stand against the wind. Wuthering Heights is so bleak and desolate that it leaves a deep impression on the readers.The weather description also reflects Gothic features. At the time of Mr. Earnshaws death, high wind blusters round Wuthering Heights and roars in the chimney which signals a great change. But after Catherines death, the weather breaks, “the wind shifted from south to north-east, and brought rain first, and then sleet and snow the primroses and crocuses were hidden under wintry drifts; the larks were silent, the young leaves of the early trees smitten and blackened. And dreary, and chill, and dismal that morrow did creep over!”(135). Nature becomes completely silent in Catherines dying as though it is in mourning. This develops a brooding atmosphere of gloom and melancholy, evokes strong sadness to readers. .Main charactersThe creation of the main character Heathcliff in Wuthering Heights belongs to Gothic mode, he is a villain-hero, that is to say he is a persecutor as well as a victim who bears between love and hatred. (蒲 49-51) As a gipsy waif, Heathcliff is picked up by the old master Mr. Earnshaw in the street and treated well. But after Mr. Earnshaws death, Hindley deprives Heathcliffs right of receiving education and even makes him a servant. During that period of time, Heathcliff has Catherines understanding and love at least, she is the only person he can trust and the sole support of his life, but his whole world elapses when he overhears the conversation that Catherine decides to marry Linton. For this aspect, Heathcliff is a victim who suffers a lot. He then leaves Wuthering Heights and returns with wealth and awful revenge, he revenges not only on Hindley and Linton but also on their children. He gets the chance by taking Wuthering Heights from Hindley, marries Edgar Lintons sister Isabella but treats her cruelly. He also forces little Cathy to marry his son with the purpose to seize the right of inheritance to the property of Lintons family. Even though all his behaviors reflect his endless love for Catherine and fearless rebellion to the fate, he is no longer a man but an evil creature who sets revenge as the only goal in life. For this aspect, Heathcliff is a persecutor who makes the others suffer even more than he has had. (黄 53-54)Another main character is Isabella Linton, the daughter of Mr. and Mrs. Linton, sister to Edgar. She is a typical Gothic heroine as she is innocent but suffers painfully by the cruel and lustful villain-Heathcliff. Born in a rich, high-society family, Isabella is brought up in Thrushcross Grange which is quite different from Wuthering Heights, it is more lavishly decorated, and the family seems happy and loving. She is pure, gentle, soft and with a mild disposition at beginning, but seduced by Heathcliff to fulfill his revenge. Despite Heathcliffs ill nature, Isabella falls in love with him, when her brother disapproves their marriage, she just runs away with Heathcliff. After she gets married with him, she is treated badly and cruelly by his husband, and even imprisoned in Wuthering Heights for a long time. Influenced by Heathcliffs violent and cruel tendencies, her own violent and cruel tendencies come out. She is not a gentle lady anymore but a woman who looses her best part of her personality. Though she finally escapes from Heathcliff, Isabella dies “”是小柯论文网通过网络搜集，并由本站工作人员整理后发布的，“”是篇质量较高的学术论文，供本站访问者学习和学术交流参考之用，不可用于其他商业目的，“”的论文版权归原作者所有，因网络整理，有些文章作者不详，敬请谅解，如需转摘，请注明出处小柯论文网，如果此论文无法满足您的论文要求，您可以申请本站帮您代写论文，以下是正文。 at last. Her life is a tragedy not only because of the bitter sufferings she has had, but also for her turning out to be a victim of Heathcliffs revenge.SupernaturalThe most horrible part of Wuthering Heights may be Catherines ghost appearing to Mr. Lockwood. In the third chapter, Mr. Lockwood is disturbed by the teasing sound of the fir-bough during his stay at Wuthering Heights, when he knocks his knuckles through the glass and try to silence it, he touches the fingers of a little, ice-cold hand. It is a young girl who calls herself Catherine Linton, pleading to be let in, and Mr. Lockwood will not let her in even though she complains she has been wandering for twenty years. “A childs face looking through the window.” (19) Terror makes Mr. Lockwood cruel and when he finds it useless to attempt shaking the cold hand off, he “pulled its wrist on to the broken pane, and rubbed it to and fro till the blood ran down and soaked the bedclothes: till it wailed.”(19) This evokes chill terror by using the ghost of Catherine, it is also horrible, bloody and cruel which shocks the readers even the literature world. In chapter twenty-nine, Heathcliff tells Nelly that he has the sexton remove the earth off Catherines coffin lid while he is preparing for Edgars grave. He also opens Catherines coffin and finds her face looks the same as the day she dies. Though he shows no respect for the dead in Nellys view, he doesnt think so. He even knocks out one side of Catherines coffin, with the instruction that one side of his be knocked out too can they lie together for eternity. Heathcliff also confesses to Nelly that right after Catherines death, he almost digs her up just because he wants to hold her again. At the time of digging, he hears a sigh nearby and feels a warm breath at his ear, he is certain it is Catherine, not in the grave but on earth! A sudden sense of relief flowed from his heart, through every limb. At that time he is consistently looking for Catherines ghost and expects to see her wherever he goes, she never shows herself though he often feels her. Anyway, the grave digging; the sigh and breath by the ghost; the desire to be buried in the same tomb; the wandering ghost, etc. can send cold shivers down the readers spine. .ConclusionThe desolation of Wuthering Heights; the themes of revenge and scheme; the cruelty of Heathcliff; the bloody and horrible ghost and so on demonstrate that Emily Bronte adopts Gothic elements in this novel. In conclusion, Wuthering Heights is a novel with Gothic features from the perspective of its description of the environment, characters and supernatural, etc.References:1Abrams, M.H. A Glossary of Literary Terms. Beijing: Foreign Language Teaching and Research Press & Thomson Learning，2004.2Bronte, Emily.呼啸山庄.上海：上海世界图书出版公司，2003.3蒲若茜.呼啸山庄与哥特传统.外国文学评论.2002，（1）：47-54.4黄志强.呼啸山庄人物分析.语文学刊（高教.外文版），2007，（6）：53-56.（作者单位：广东东莞理工学院城市学院）其他参考文献Baker, Sheridan. The Practical Stylist. 6th ed. New York: Harper & Row, 1985.Flesch, Rudolf. The Art of Plain Talk. New York: Harper & Brothers, 1946.Gowers, Ernest. The Complete Plain Words. London: Penguin Books, 1987.Snell-Hornby, Mary. Translation Studies: An Integrated Approach. Amsterdam: John Benjamins, 1987.Hu, Zhuanglin. 胡壮麟, 语言学教程 M. 北京: 北京大学出版社, 2006.Jespersen, Otto. The Philosophy of Grammar. London: Routledge, 1951.Leech, Geoffrey, and Jan Svartvik. A Communicative Grammar of English. London: Longman, 1974.Li, Qingxue, and Peng Jianwu. 李庆学、彭建武, 英汉翻译理论与技巧 M. 北京: 北京航空航天大学出版社, 2009.Lian, Shuneng. 连淑能, 英汉对比研究 M. 北京: 高等教育出版社, 1993.Ma, Huijuan, and Miao Ju. 马会娟、苗菊, 当代西方翻译理论选读 M. 北京: 外语教学与研究出版社, 2009.Newmark, Peter. Approaches to Translation. London: Pergmon P, 1981.Quirk, Randolph, et al. A Grammar of Contemporary English. London: Longman, 1973.Wang, Li. 王力, 中国语法理论 M. 济南: 山东教育出版社, 1984.Xu, Jianping. 许建平, 英汉互译实践与技巧 M. 北京: 清华大学出版社, 2003.Yan, Qigang. 严启刚, 英语翻译教程 M. 天津: 南开大学出版社, 2001.Zandvoort, R. W. A Handbook of English Grammar. London: Longmans, 1957.Zhong, Shukong. 钟述孔, 英汉翻译手册 M. 北京: 商务印书馆, 1983.Zhou, Zhipei. 周志培, 汉英对比与翻译中的转换 M. 上海: 华东理工大学出版社, 2003.