论动画影视分析的美学价值(On the aesthetic value of animated film and television analysis).doc
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1、论动画影视分析的美学价值(On the aesthetic value of animated film and television analysis)On the aesthetic value of animated film analysisAs Eagleton in criticism and ideology pointed out that the artistic text is not a closed organic body, but a dynamic process of ideographic ideology and open of the.- Introduc
2、tionChinas accession to the WTO will create a new page in the history of animated films. If the last century in 80s and 90s, Chinese film from the field of aesthetics and art language the first step of the modernization of the first step, then today, the pace will be in the film and television syste
3、m, economic system, science and technology system, the depth of field to a higher level continued to move.Animation is a film type that can not be ignored. It is one of the four kinds of films. The world is known as the animation, the English called cartoons (cartoon), is the main use of painting fo
4、rm characters and the story of the film, China called it art film, refers to the assembly, cartoon puppet film paper-cut pieces etc. Because of its uniqueness in production and Technology (non character play, high difficulty hypothesis), it has its unique film language and artistic characteristics.T
5、he artistic characteristics of animated films determine that their aesthetic values have the same artistic characteristics. The first is the high hypothesis. The high hypothesis is one of the basic characteristics of animation. Animated movies and live action films are very different from reality. I
6、t is essentially different from the traditional sense of the feature film. The traditional audio-visual elements in animation have undergone some kind of deformation. Also have a psychological effect, in particular the expectation such as childish, bizarre plot themes, characters exaggerated. In Bar
7、zuns long lens theory, photography is different from painting, and its uniqueness lies in its essential objectivity. Animated films, on the other hand, are unique in that they are essentially hypothetical. The high hypothesis makes animated films closer to myths and fairy tales, rather than playing
8、real scenes of real human life. Second is the freedom and flexibility of the picture transformation. Animated films are more flexible and free in the composition and temporal and spatial structure of the movie language, which are hard to reach for the regular feature films. Such as the Taishan in Ta
9、ishan on the cliff from the top of the tree to leap from the trunk, slipped into the water from the vine, with the group famous long lens, ordinary camera and any action star that cant be done. Because of the unique nature of their production and viewing psychology, animated films have often revived
10、 the ways in which stories, such as surrealism and psychoanalysis, have long since vanished in regular feature films. The famous Prince of Egypt in paragraph Prince of Egypt Mose into the dream is obviously Bunuel and Freuds shadow: from reality into the dream is realized through common lens, light
11、tone, deepen push becomes orange and eye deformation; when Mose opened his eyes, has become a strong relief effect; continuous jump cut, lens flip, three-dimensional sense, strengthen the scheduling using the corner by using the texture type characters from the roof movement caused the red color, te
12、xture type odd dimension soldiers mixed surrealism movement and movement and so on are skipping a strong magic. Third is the magic of picture modeling. The animated film is different from the general story at the other characters and scenes on record, realistic style, because there is no real actors
13、 existence and photographing restrictions, characters and scenery modeling has become the ideographic element modeling can be independent, bold exaggeration and magic. The fourth is the legend of the story. If the story is the pursuit of Dickenss critical realism, or Tolstoy reflects the history and
14、 reality of the mirror type of narrative style, so more animated films in the selection of identity created in childhood several important literary forms: myths, legends, folk epics, fairy tales, animals and plants a story. These subjects are difficult to get complete and prominent in routine shooti
15、ng. Fifth is a strong musicality. The high degree of supposition of animation makes it often have the nature of approaching musical musicals when making.Film and television education is a product of the development of the film and television industry. As a form of concept, it reflects the developmen
16、t of film and television industry, and as a form of system, it also provides a steady supply of talents,Support and even influence the progress of the film and television industry. High quality talents are the foundation of the prosperity of film and television, which has been confirmed by history a
17、nd numerous film and television giants. The analysis of animated films is an inseparable part of film and television education.According to the language of film: the film in his Introduction to the Film Semiotics studies in general is divided into three parts: the film theory, film history and film
18、criticism, we can put the film and television animation also divided into three parts, theory, history and animation animation animation film criticism. Because film criticism is also an important part of film studies or film studies, and is a blend of film history and film theory. The analysis of t
19、he film is, frankly speaking, the appreciation of film and television. The film is the first film of appreciation of peoples true feelings, is a feeling, but also the rational thinking and analysis and, in accordance with the laws of the film and even unique requirements, to use some professional th
20、eories and terminology. In view of the complexity of modern animation art as a cultural phenomenon and a new depends on the progress of science and technology or quasi industrial production, breakthrough thinking and criticism of the films point of view is very much, the schema of four elements of f
21、ilm and television art let us consider a home on Abrams from the United states the art of four elements the schema transformation:The world of film and Television Art (or the universe, reality, objective, or virtual phenomena, etc.)Artists (pre - and designers, post - processing staff)Works of Art (
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